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SONY In The UK

With only months to go until the first rendition of the next generation - Xbox360 - is released I felt it about time to look back at this generation, and learn what it is that makes SONYs’ PlayStations the biggest seller in the UK. I hear some people say “it’s simply Electronic Theatre Imagebecause SONY’s the greatest” but that’s not the case. SONY have been very successful with the PlayStation franchise, but with two other systems on the market; the notoriously riposte Nintendo GameCube and Billy Gate’s black box, what makes the PlayStation the people choice? With the uneducated masses not knowing all of the GameCube’s advantages Nintendo have let us down in the UK - which includes hardly any online games or support - and Xbox’s lack of comparable marketing make both systems asides in the mass market’s mind-eye. Like me I bet there are a lot of Nintendites and Xboxers who just can’t figure out why the PlayStation2 is so successful in the UK .

With the in-house games of Nintendo there are no imperfections or drops in frame-frame, no polygon pop-up and no bugging. Also there are generally little to no loading times - while the Xbox is the most powerful system on the market at the moment. It’s sheer power that gives the Xbox its status in the gaming world, outweighing both the PlayStation2 and the GameCube’s ability to produce the amount of polygons and textures onscreen at the same one time.

In the UK you find that the PlayStation2 has a lot more third-party support than that of the other systems, there are literally hundreds of releases on the PlayStation2. It appears to me that Electronic Theatre Imagethe publishers need to support the other systems a lot more – as opposed to seeing a lack of representation of a specific genre on a format as a slow-selling genre, how about seeing it as an easy genre to exploit within which there’s little competition?

With the later releases of the GameCube and Xbox they never had the opportunity to catch up. The population of the UK must have thought that the PlayStation2 was a more high-tech system; it was released with a DVD player so at the time it was an advantage, and since the other systems have never been able to steal the limelight from the PlayStation2.

So what is it that gave the PlayStation2 its public image? It’s all about marketing, the way you put a system across to the public. The PlayStation2 was putElectronic Theatre Image across as an “Entertainment Centre”. The PSP has been put across as a very sexy piece of kit. In reality it’s just a PlayStation2 in a smaller box, but looks certain to sell the NintendoDS in the UK .

I believe the SONY’s PSP is just a side step in the technology. OK so it’s really stylish, a truly attractive piece of technology. But being the most stylish and attractive piece of technology is only the corner stone of selling a system on the worlds market. At home here in the UK , the population seem to be set to be seduced by the sheer beauty of the PSP. I’m telling you try to keep that screen scratch free. Although the NintendoDS is a lot more practical and is nearly half the price it will probably fall behind in sales within months of the PSP’s release.

Not being a SONY fan I was a bit sceptical about the PSP until a college of mine who had recently acquired one from Asia (you know the one with the higher grade screen), passed me his and said “careful of the screen”. I was really impressed, as I’ve said it’s a really attractiveElectronic Theatre Image and stylish system, with its big flashy screen, funny semi-analogue control and the straight forward PlayStation2 button configuration (with its infamously dodgy Square button).

SONY have quite a big name in the UK . First with the SONY Walkman and all their stereos and TV/Videos - and now with the PlayStation franchise. With many companies concentrating their efforts on Japan and the US – a very sore point with many UK Nintendo fans - a lot of great games have missed out in the UK . SONY understand the European market more than any other firm and have taken the industry to places which seemingly no other company saw coming.

 

TDog

28/06/05

 

Return to the Articles Archive 2005 here.

 

 Each of these articles has been written either independently of Electronic Theatre or by an external viewer. The opinions discussed in these articles in no way reflects the opinions of Electronic Theatre.

If you wish to inquire about pricing of any titles for these formats not listed on this site, drop me a line at kjoyce@electronictheatre.co.ukTop

 
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