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Electronic Theatre Special Report: Microsoft UK Roadshow: Tom Clancy's Rainbow Six: Vegas

It seems almost anything with Tom Clancy’s name on it is guaranteed to be a sure-fire winner, if not critically then commercially. The Rainbow Six, Ghost Recon andElectronic Theatre Image Splinter Cell franchises – all featuring Tom Clancy’s name exclusively - are regularly snapped-up by all the would-be Elite Anti-Terrorist Squad members everywhere and it will be surprising if the latest iteration, Tom Clancy’s Rainbow Six: Vegas is any different. The game follows in the footsteps of it’s predecessors very closely, with it’s layout and design akin to the latest Ghost Recon game Tom Clancy’s Ghost Recon: Advanced Warfighter. Players take control of a squad of crack counter-terrorist soldiers as they attempt to free hostages from several occupied casinos in the infamous gambling haven of Las Vegas.

Players take on the role of Squad Leader and must direct their team mates tactically through each Mission. Tom Clancy’s Rainbow Six: Vegas features several new moves including the ability to rappel, attaching a rope to a structure before abseiling of the side, and a Third-Person perspective while in cover. Both seemed well implemented, however exactly how much they will be required remains to be seen. Similar to earlier Rainbow Six games, a guns-blazing approach will often result Electronic Theatre Imagein the player’s death. Instead a much slower, more tactical method is required, with the player instructing team members to provide cover, use flashbangs and generally go about thing in a way realistic to urban warfare. Graphically Tom Clancy’s Rainbow Six: Vegas seems to lack some of the polish of the earlier Tom Clancy’s Ghost Recon: Advanced Warfighter, but is still a far superior looking game to it’s multi-format cousins. If Tom Clancy’s Rainbow Six: Vegas can offer experiences of the same kind as the aforementioned title, it will do well, but in an ever-more crowded genre, it will have to offer something new to avoid being lost in the flood.

G-man

09/11/06

 

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 Each of these articles has been written either independently of Electronic Theatre or by an external viewer. The opinions discussed in these articles in no way reflects the opinions of Electronic Theatre.

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