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Electronic Theatre Special Report: Microsoft UK Roadshow: Superman Returns

For many, the absolutely dire Nintendo64 iteration of Superman killed the franchise, not that it ever had a great deal of quality Licensed games prior to this release. Initially planned to launch at the same time as the film, Superman Returns was delayed by EA as at Electronic Theatre Imagethe time the game was clearly unfinished. As the title is released at the end of the month, it comes as little surprise that it’s looking a lot nicer now. Players take control of the Man Of Steel as he attempts to defend Metropolis from various villains and natural disasters. While around half of the plot is closely related to the film, the rest is derived from the last 60 years of DC Comics and will feature more outlandish villains than the relatively normal Lex Luthor. The game allows players free-roam of eighty square miles of Metropolis and includes over eight-thousand buildings. The game also had no visible Load Times, but this may not occur in the full release.

As most people know, Superman has a wealth of powers at his disposal and lots of these have made it into the game. Heat Rays, Ice Breath and, of course, Flight are all present and correct, the latter easily activated with a tap of the Y Button, whilst the others are mapped to the D-Pad. Superman earns Experience Points throughout the game by defeating enemies, these Points can then be spent on new hand-to-hand combos and ability upgrades. Superman is also invincible so a Health Bar is not required, instead the players motivation is the health of the city. As more buildings are destroyed and people hurt, this health is reduced. In order to heal the city Superman must help civilians, defeat enemies and reverse the damage caused by disasters. Although not every aspect of the game could easily be judged by the brief playtime available, it’s safe to say that Superman Returns has improved dramatically and, more importantly, has the potential to be really quite good.

G-man

05/11/06

 

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 Each of these articles has been written either independently of Electronic Theatre or by an external viewer. The opinions discussed in these articles in no way reflects the opinions of Electronic Theatre.

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