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National Negligence?

            The UK’s National Press has always been considered to be that of a sceptical nature. The inherent conservatism - seemingly at lengths with the industry’s own progressive pliability – delivered on a daily basis takes clear tolls on effects which aren’t inline with that of each production’s principles. Often, these principles can change once the scepticism has become opportunity – collimated by the mid-‘90s overnight reversal of stance on New Labour by the arms of News International; the media conglomerate in which both The Sun and The Times (and their sister productions, News Of The World and The Sunday Times) operate – and, even more often, this scepticism is aimed at that which the media outlets not only have no acknowledgement of, but simply intend not to do so in effect, attitude or principle.

            An unethical approach to news broadcasting you may well believe, however, it is one that has been established with time, and has now become ingrained into the tabloid-hysteria that the UK audience now seems so fond to gobble upon. Akin to videogame publications publishing reviews whilst not having paid any due credence to the title which they are vocalising an opinion upon, many media outlets choose their victims not due to their persecution, but instead based-upon a blind-sided discomfort and simpleElectronic Theatre Image lack of knowledge. For decades, the videogames industry has been blighted by the UK Press’ disinterest in it’s progress – although, of course, isn’t the only cornerstone of electronic entertainment to have been curtailed time-and-time again – the arrival of Mortal Kombat in the early-‘90s saw the first true effort on behalf of the National Press to scupper the industry and, although it was clearly unsuccessful (not least due the long-running reign of Mortal Kombat sequels), the bitter-sting of a blood-soaked harpoon remains.

            The Daily Mail has long been known as the bible for the electoral-right on newsstands, and has never been particularly quick to accept the videogames industry as anything more than dull-witted escapism. From the infamous Mary Whitehouse through to the paper’s preposterous attack on DOOM and Carmageddon during the days-of-blame that followed the attack on Columbine High School in Jefferson County, Colorado on April 20th, 1999, it’s quite clear that little effort has been made on behalf of the publication to assess the finer assets of videogame production – ahead of the likes of Manhunt, Canis Canem Edit and Grand Theft Auto (all of which the paper has immediately tried to discredit – and have removed from sale (to no effect in any case) - when given the opportunity) interest should, quite clearly, be addressed more towards those titles which would appeal to the paper’s core-demographic.

            Today’s release of The Daily Mail’s sister paper – The Mail On Sunday – featured a rather predominant headline-attack on videogames; “Slaughter”. “Horror at Sony’s depraved stunt to promote PlayStation with decapitated goat” reads the article’s tagline, which is then continued on Page 8. A double-page spread reproducing an article from the latest issue of PlayStation Official Magazine UK (featuring a pixellated reproduction ofElectronic Theatre Image the only image the paper had at it’s disposal) headed by the statement “Sony audience ate bowls of intestines” leads into the report on SONY’s launch party for God Of War II, labelled by the publication as an “orgy”.

Proclaiming the event – which took place in Athens last month – as that which “undermines our civilisation for short-term commercial gain”, the paper discredits SONY’s efforts by continually enthusing the Japanese company’s suggested brain-washing of a younger audience than that of which the title is clearly aimed at. “Sony realises how repellent it is only when The Mail on Sunday makes contact. The firm says it is shocked. But these regrets do not change the fact that one of the world’s most potent media organisations has sunk to such levels to promote yet another violent, nightmarish fantasy – which it seeks to pump into as many young minds as possible.” A rather misleading - and hypocritical - statement to be making, especially given the timing of the publication of the piece: a month after the event had taken place and just two days after the launch of God Of War II.

Although the article begins with due courtesy towards the event – which, in truth, is considered risqué even by your open-minded correspondents at Electronic Articles – it soon descends into an attack on videogames as opposed to this singular promotional activity. The main address of the article is that of the publication of a story on the event in SONY’s own magazine and, from the event itself, a slaughtered goat; from which members of the Press were offered the opportunity to reach into and remove edible portions of offal, processed to resemble that of the goat’s intestines. The goat was acquired from a local butcher – as stated clearly in the article – and so was far from slaughtered specifically to promote the title, however, the fact that the goat’s head remain attached by a single tendon could cause some alarm.

A married-article written by the paper’s Games and Gadgets Editor, Rob Waugh, cites the game as one which would not “ordinarily be reviewed in The Mail on Sunday – it is simply too violent, andElectronic Theatre Image the levels of bloodshed intense”, yet goes-on to proclaim the development of the title as a clearly designed piece of ingenuity, “God Of War II is clearly an intelligently designed game”. “The game’s cryptic, Indiana Jones-style puzzles are among the cleverest seen in video games and the game is balanced perfectly to keep it’s audience playing.” Quite how a credible, national publication could discredit a piece of work to the point of ignorance based purely on its’ adult-orientated nature is puzzling. To find little agreement with the on-screen action is justifiable; God Of War II is very violent, and clearly very adult-orientated - but to simply pass-over work which, through their own admission, the publication sees as a viable production of videogaming art is simply an act of malevolence.

The fact that the paper has insisted on giving this piece front-page coverage in itself is questionable – even further given the delay between the event taking place and the publication of the article itself – but when coupled with the fact that no other publication followed-suit, it’s very easy to address this as yet another knee-jerk reaction by the National Press. And that in itself is one which, for all its’ convictions, can only further the interest in a title that was practically guaranteed to storm the UK All Format Sales Charts this week, regardless of any added attention.

The Mail On Sunday have managed to obtain a withdrawal from SONY – the issue of PlayStation Official Magazine UK featuring the article was due to hit shop shelves on Tuesday. Instead, the publication will be delayed and the offending article removed. However, subscribers to the magazine have already received their copies, and it is quite clear that it’s through this early-arrival that The Mail On Sunday themselves discovered this event had taken place. This brings one final, yet rather congregative, argument to the fiord; did any representatives from The Mail or The Mail On Sunday itself actually attend the press event? Given the distance from the event the article centres itself at; this journalist would hazard a guess at a simple “no”. And with that factor in mind, would question the viability of future hammerings which the publication would wish to rain upon the videogames industry, without giving those working within an ounce of the credence they deserve.

Kev J.

29/04/07

 

Return to the Articles Archive 2007 here.

 

 Each of these articles has been written either independently of Electronic Theatre or by an external viewer. The opinions discussed in these articles in no way reflects the opinions of Electronic Theatre.

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